PERFUME
Tampilkan postingan dengan label especially the fabulous world of Serge Lutens. Tampilkan semua postingan
Tampilkan postingan dengan label especially the fabulous world of Serge Lutens. Tampilkan semua postingan

Senin, 13 Desember 2010

Clair de Musc, Serge Lutens


When we look at a bottle of perfume, not only visualize the packaging, shape, details, colors, see beyond the bottle. We look at the net, the color, aroma, texture. Then we assume as is his demeanor on the skin, the sensations that he will awaken our senses, its virtues and defects, and finally figured out how is the soul of this fragrance, its mystery, its riqueza.Clair of Musc, as the name says, it made me think about the transparency of musk note which is the soul of the scent. Like every soul, this note has the olfactory weight of a crystal that reflects its glow to the skin as well as the soul that shines and soars in the darkness.
The color of the liquid is not so clear, but the chords are clear and rich in simplicity itself. The perfume has top notes like musk plant musk powdery (also known as pudriger Moschus in German or Musc Poudre in French), Bergamot, Neroli, Jasmine, Iris of Tuscany, Santal Mysore and ambrette grains. A variety of notes which enrich flavor a transparent in its entirety, notes that dialogue with each other and complement each other.
The departure of Clair de Musc is delicately powdery musk by the action of the poudre and Iris. This effect is the protagonist in the olfactory initial action, however note that there is any kind of powdery. Is a powdery fresh, influenced by the adjunct treatment of bergamot that although no citrus, no default, brings the excitement of the day and all the lightness, freshness poudre refined skin radiating the rays of the sun.
As the fragrance evolves, the fine powdery undertones blend with floral notes. In this case, more and less jasmine neroli. The jasmine discreet secure the base and floral scent, very interestingly, does not invade the action of musk poudre it is a jasmine that joins the abstraction of perfume. He is there but acts as the outline of a crystal, the one where you look at a face and sees the reflection of another crop, and so on. The neroli, known for his action more spicy, just taking on another role in this ethereal fragrance. The role of frustrated bring the scent to the ground. The spicy is almost nil, only noticeable if drawn closer to the skin, and even then, without much action. The beauty of the action of neroli is to say that the spiritual character of the fragrance is the great advantage of Clair de Musc, an untouchable character, an angelic beauty that can not be on earth, a beauty that enhances the white musk and other subgenera's own notes poudre as musk and ambrette seeds, which is a plant musk.
In Clair de Musc is no room for the scent-body, which is Animalic provocative and binds it to the ground. Here, what fascinates is the purity of the soul that unites perfume to something more abstract and luminous. It's like wearing a flowing white chiffon cloth or a light transparent fabric, close your eyes and imagine yourself in the clouds touching hands of God.





Sabtu, 02 Oktober 2010



The orange is a source of fragrant materials in perfumery most versatile and one of the most potent in terms of utilization of the plant. The aroma comes from the bark of fruit, leaves and flowers. Among all plants, it has the divine gift to give four special oils for perfumery. The petitgrain that comes from the leaves and twigs, which comes from the orange peel of the fruit and neroli and orange blossom that comes from flowers. It is a plan blessed by Mother Nature.Serge Lutens Fleurs D'Oranger released, an oriental floral inspired in the richness of orange blossom and, primarily, has added the beauty of these flowers and its olfactory power. The creativity and sensitivity towards nature is the highlight of this perfume perfumer. Add the nuances of orange blossom scent, dividing the layers of fragrance notes of neroli and orange blossom top notes as well as heart, linking this to other flowers blossom as white jasmine, tuberose and white rose in India without losing the thread the mystery of the orange is to compose a masterpiece through the bucolic flavor.The output of the fragrance of sap rescues the concepts of alchemy and mystery. The sap is the raw material and physical aromas arouse the senses of "palpable." It is evident the presence of neroli, and orange blossom with a bit of jasmine. The mystery is given by the aroma quality, the virtuosity of recalling the authenticity of the olfactory physicist who wants to represent. The initial aroma is spicy as neroli, recalling the note of cumin and the flavors of dishes from the field. Although peppery at first, the flowers soften the perfume and fragrance has an androgynous character, exactly as one imagines an orange blossom: a feminine side, but a characteristic of both sexes, largely because of the spicy and floral nuances that merge.




Fleurs d'Oranger is cool, but not the fresh citrus fruit orange. Citrus is something that is not here. No citrus, bergamot and the like. The cool this fragrance has the freshness of the fields, the wind hitting the face in a bucolic afternoon, the lightness of the landscapes become more longíquas with a contemplative eye, the gentleness and magic of childhood games in places heartlanders. The images that are seen are of a peasant family. The father, an artisan perfume that mixes aromas and flavors, the mother cooking in clay pots, son and daughter playing together and resume the androgynous character of the fragrance, spicy for kids, floral for girls. Everything is in bucolic Fleurs d'Orange.The scent is fairly orientalized due to the presence of neroli, even understated the heart notes, has an incredible tenacity. Tenacity is the ability of the note remain on the skin prior to volatilize completely. In the case of Neroli, a classic versatile in perfumery, versatility also appears at various times of Fleurs d'Orange. It starts very spicy, then cede the development of smell the flowers, but always present as the average score. The tuberous tuberous here is a very different, unique to my nose but can be recognized because it preserves a balance aromatic, balancing the action of jasmine. There are moments when the jasmine climbs the skin surface, however, is mixed with tuberous penetrating, warm and timidly that preserves the freshness and the floral velvet.The therapeutic properties of orange blossom are maintained, as the fragrance is a subtle and relaxing. When you feel it in the skin, the desire we have is to run quietly in a bucolic field, running against nature, and an act of surrender, an orange blossom smell.




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Jumat, 01 Oktober 2010

Best Datura Noir, Serge Lutens


Datura Noir is the mysterious and hypnotic scent of the Datura flower, disguised as well as all notes of this perfume in the beginning. Deception in olfactory Serge Lutens is sweet, attractive, and unexpectedly, as a temporary range of options for small shortcuts, she seduces you to make you follow several routes, all sassy and serene, as paradoxes that come together for the good or for evil. The notes are like those who hide caches in this way, they can confuse your sense of smell as stones and making you stumble, yet the desire is that you'll get up and find the map of this maze olfactory map that will only Serge Lutens.
Datura Noir is one of these works of olfactory concealment in the form of content and perfume bottle. The fragrance does not pretend to much, simply because the initial defense mechanism of all the notes is only a kind of seduction and differentiation of perfume. The development is barbaric, and the only gradual and deslubrante perfume hostile intent is to poison yourself with this Datura flower, rare and regarded as the flower and devilish night.
The output of the perfume opens all possible paths as a labyrinth, pretty much the main notes are present: datura flower, almond, coconut, tuberose and heliotrope.


For those who have a memorable experience to contend with many shortcuts in the form of olfactory notes, the maze of aromatic output Datura Noir is like an abstract painting which, although apparently unrelated, yet seems to have an organization. A fragrant art that compiles numerous images of fragrant materials, not so clear but present. The floral notes are contemplating how the memory of the garden, as in the context of Paul Klee, knowing they are there, but still not as protagonists of this evolution path. Other notes serve as foci of obstinacy, for something that provokes the desire and the realization of this. The desire to puff up with the body soft and sweet of them.
The blending of the notes above is sumptuous and exciting wave of a heat unbearably catchy at first. The sweet almond, tuberose narcotic, the hints of coconut soft indestructible arouse the desire to know the flower of Datura and meet the basic delights as embodied in the vanilla, tonka bean and sweet aroma comes almíscar.O to stifle smell as a drug that brings a liberating feeling.
Soon after the majestic entrance of the olfactory maze worthy of Serge Lutens, a perfumer, and proves that olfactory sensations are part of its liberating alchemy niche. Sweet decrease significantly, notes of almonds and yield more space to a floral touches of vanilla too light that takes care of perfume.Neste time is like seeing a new shortcut, bright, elegant and decorated with flowers datura, plain and decorative. The beauty of this development takes place after a gap of the floral notes start compilatório. The flower of Datura initially concealed, opens in the skin, unveils its magnitude and its designer. Sometimes it gets sweeter, sometimes more almond-like paths that open up amazingly aromatic.
After two hours of onset, the smell hits your comfort now. The mesmerizing character becomes more gentle as those who open their arms to embrace a sensual and loving. The note of tonka bean is apparently comfortable with the vanilla, both seduce skin for a cuddle and give a sense of smell aphrodisiac and a mild chocolate flavor.
The olfactory memory of the maze is constant, however now it is no longer hidden. The flowers blossomed, and opened the way for the other notes of Datura Noir.





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Kamis, 26 Agustus 2010


In the continuation of a tribute, there's nothing better than showing a bit of thinking honored. For this, I selected the most inspiring interview of Serge Lutens, because as we breathe the scent, inspire each other on who creates it. Serge Lutens is pure inspiration.Although a few words, calm and even philosophical in many ways, the interview he gave to Plurielles France is, as they say in English, breathtaking. A brief interview Lutensian full of spirit, sensitive, intelligent and spontaneous. As a blogger fan, I do not need to follow with the words now. The word is from the master.




                                                                
Merci for existing, Lutens!
After several years in the service of the Dior image, and then, Shiseido, Serge Lutens provides good image of a UFO in the world of perfume with a fragrance to create authentic flavors. Interview of a master


How did the desire to create perfumes? He came gradually, over time, without the inteded departure. I live a long time in Morocco and I'm an introvert, I have a highly developed sensory acuity. My encounter with Marrakech and the combs were smelling a catalyst. This country has revived my desire and my view of the origins of perfume, old andOrientals.
How do you work? The act of creation is not an act of decision, there is a recipe. Every recipe in perfumery is a lie. The masters of perfume they are alive and moving, you change every moment where you do not think about going. From time to time at a dead end, and at times toward the wonderful scripts. Perfume is a succession ofcontrasts, we can not do what you want, is not a tart tartine ...While the tart tartine is a mistake! What happens between the beginning and end of an intention is subverted by the mobility of morons, meetings ... But when the perfume is finished, I say to myself "yes, that's it." My only certainty is that I can do things that I love. From the moment I do not love you anymoredo something, I do not know what else to do it. When I worked with images, I loved her so much we do hair, and I was successful early on. When I had no desire to do it, I no longer knew.
Another first emotion with the perfume? A great souvenir of childhood is the smell of factory pain d'épices. A strong high odor that I could no longer endure. Now I love the aroma of this bread. Memory is a deception, Proust proved that with your research ...
His first emotion with a flower? When we are small, we have an advantage: we are the same size of the flowers. The first gesture we make when we see something good, you feel it. Daisy, lily, rose ... I stick my nose inside them. The memory is double, because I remember everything that has the same contact with the surface of the flower. That is what is the sweetest rose.

What is a perfume? We are all fragile. The perfume is a weapon against our weakness, our shyness. It serves to express, to provide a more coherent image that would love that others have of us. Seduce is be yourself and find the others. Otherwise, it may be useful for social behavior. We carry a liability at the beginning and a scent that we recognize everywhere. In this way, we risk not being loved by ourselves.

Your projects? Trying to do anything I have ever done. I have many notebooks that I filled with words, phrases ... are not just memories of emotions compiled. Sometimes I read them again and think fun. I like to do anything. Among the arts, the writing is what gives me more excitement. For me, certain readings are dazzling, give me the impression of being closer to the real and true. I'd love to rewrite and reesboçar, but I'm shy, then I do it humbly ...




           
                                                           "Is Serge Lutens a hummingbird?"

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Jumat, 23 Juli 2010

The master Serge Lutens. Never wanted to know the personality of any branch fragrant, but know it would be a surreal experience.


Who knows my fragrant adventures, you know that I became an intimate lover of Serge Lutens, the poet of perfume, as told by the mediaPlurielles French. Getting to know you would not be possible without some influences which I have immense pleasure to disclose here, the comments of the estimated Lutensian Gian, Grazy, Luiz Alberto and some foreign bloggers like Robin and Marina. All fans of Serge Lutens pioneers. Also special thanks to the dear and Bel Lellis, inveterate fans of Serge Lutens and also to my suppliers of perfumes in Europe through its wonderful service and partnership has enabled me to increase my personal collection. A special kiss to my German friend that Stony fondly sent me the famous book of Monsieur Lutens perfume solids, available only to residents of Europe and Shiseido France for virtual call.Serge Lutens is in the area of cosmetics and perfumes for a long time, having traveled career at Dior and Shiseido, especially in the area of makeup, but fell in love and lovers of the noses of the unique world of niche perfumery after the design of a perfume classic brand Shiseido, the Feminité du Bois, a bright perfume and opening a new concept of special fragrances, whose notes mix uses a non-conventional weapons, causing an estrangement from the public, compared to commercial perfumes.To give vent to its language "poetic" and make it accessible in a perfume bottle, the main partner is so genius about Serge Lutens, the nose (perfumer) Christopher Sheldrake, highly skilled career and has developed into giant companies such as Quest International , one of the most respected companies in the business of flavor and fragrance, which was purchased by Givaudan powerful. Avon, Chanel, among others are part of their curriculum. He is responsible for making most of the real inspiration of Serge Lutens.



Chris Sheldrake (on the left, accompanied by Polge) Besides talent, it's stylish!



Serge Lutens fragrance represents the innovation of aligned bases that make a classic perfume an article with consumption of timeless art. The classic here is to achieve the distinction of being a quality model to be followed, but not copied, the gap is to be unforgettable, unique and inimitable as a Madame Bovary by Flaubert in literature, one of Picasso's Guernica in the art. Like any work of art, their scents are inspired by very specific experiences of a farmer who joins several continents in their work, especially his familiarity with Eastern culture, so much that he lives in Marrakech, Morocco fragrant of the temple.As a pioneer, his perfumes require tolerance to deal with new nuances, perfumes that get in the way of a skin, and wildly or mildly, olfactive surpreeendendo change the behavior of those who use them and identifies with them. His perfumes can remember childhood, a landscape, a portrait of a trip, etc.. Not any memory as a still picture of these situations, traditional, is a reminder that requires thinking of analogy to life and his artistic relationship with perfumes, images sur (real) new readings accurate or inaccurate. Niche scents, apparently labeled as "mature, too serious," bring joy and delight of discovery and find out is an act of maturity to go beyond, look less like the scent of mass consumption and more like an art object, built of intent, a creative emotion, strangeness number.Like any experience, this fabulous world of fragrances by Serge Lutens creates many feelings multiple, equally unique, so allow yourself to feel it knowing there will be faced with fragrances that seem to be made in mass production lines. If this is your style, convince you otherwise and, as they say in popular parlance, "throw yourself" Lutensian this world, a world of fragrant questions. Highly educated, the fragrance from Serge Lutens aligns itself to the creator. It is cultured, but the culture of "thinking outside the box." It combines with the perfume counter to the popularization of lacking creativity. Serge Lutens already aligned inspirations painting makeup on their creations, in its perfumes he adds to them the historical, philosophical, literary, and general culture. A poet of perfumes for the fragrance which thinking in a new form of constructive language is the fragrance itself. So I vibrate with his art and his faithful squire Sheldrake and the fact they provide me a better awareness of smell.The incredible respect and admiration I have for these two professionals, in recognition of artistic and technical talent Serge Lutens Christopher Sheldrake, I will devote myself to the special perfume "the fabulous world of Serge Lutens," which will contain interviews published new reviews of perfumes , trivia and general information that makes it worthwhile to search and find perfumes as creations of an artistic gift, a kind of blessing. What remains is to disclose these scents are very pleased and say to both: " Je l'aime a tous les deux(I love you both).
I await your visit on the blog. Welcome to the fabulous world of Serge Lutens!




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